In his description of mass culture theory, Strinati provides both a history and critique of this approach to culture and its relationship to popular culture. Strinati also provides the foundation for a political economy of culture where we can explores issues of hegemony, the forces of production and the ideological role of popular culture on the society. The question of dominance is most clear in his presentation of mass culture when he grapples with the ideas surrounding the differences between mass culture and high culture, in particular McDonald, who creates almost two classes of people: those elitists who appreciate high culture and the masses who ingest popular culture. Blaming things like cinema, radio, television and the press, mass culture guts society by atomizing individuals socially and morally, making way for abuses by those in power. Historically, democratic and education movements, like those in America, debased culture by handing it over to the masses because everything would be reduced to the lowest common denominator. Continue Reading →